Manos, a Greek school teacher, is forced to travel to Melbourne, Australia when the man who murdered his grandfather 57 years ago surfaces there. While the reluctant Manos is tutored in the art of revenge by old friend Stephanos, he also attempts to patch things up with his former fiance Nicki.

Six young archaeology students discover the remains of an ancient Aztec mummy and accidentally unleash the fury of an evil god.

Samuel Taylor Coleridge's wild epic poem is (re)mixed with music by Henry Purcell to create an immersive journey through calm seas, auspicious gales and supernatural elements.

During Viola's time in Japan he created Ancient of Days (1979-81). This film begins with the sound of cars and an image of fire. You view the fire and when it is extinguished a man nails something to the table which was in the fire. This section seems to be displayed backwards from the original firing. After the nailing a cup, clock and teapot appear. The shot then switches to a monument. Now the sounds of wind entertain your ears. Much time is spent viewing the monument. As in The Reflecting Pool, the shot is at the same viewpoint the whole time. You are left viewing different skies, background of pastel purple, pink and blue. White clouds increase as the film advances. As it progresses you see different groups of figures walking around to the monument in the distance. Then the shot goes to night and you are left with the view of a city and cars driving. Defiantly a unique angle atop of a building and moving till you are viewing it upside down. There is a great contrast of light sky and dark buildings. Then you are taken out of the city back to the country with a snow covered mountain and a kid squatting playing in a bush. There is a sound of something and the kid runs away. The color changes over the whole screen. That view of the mountain is now placed on the side of a building on a television in the city. The image changes to windsurfing. The shot moves into the crowd with the sound of someone singing. This all slows down, then stops and goes to a room inside with the view of a clock ticking, a picture on the wall and flowers. You hear people talking, someone sneezes and then the picture disappear and the shot fades.

During Viola's time in Japan he created Ancient of Days (1979-81). This film begins with the sound of cars and an image of fire. You view the fire and when it is extinguished a man nails something to the table which was in the fire. This section seems to be displayed backwards from the original firing. After the nailing a cup, clock and teapot appear. The shot then switches to a monument. Now the sounds of wind entertain your ears. Much time is spent viewing the monument. As in The Reflecting Pool, the shot is at the same viewpoint the whole time. You are left viewing different skies, background of pastel purple, pink and blue. White clouds increase as the film advances. As it progresses you see different groups of figures walking around to the monument in the distance. Then the shot goes to night and you are left with the view of a city and cars driving. Defiantly a unique angle atop of a building and moving till you are viewing it upside down. There is a great contrast of light sky and dark buildings. Then you are taken out of the city back to the country with a snow covered mountain and a kid squatting playing in a bush. There is a sound of something and the kid runs away. The color changes over the whole screen. That view of the mountain is now placed on the side of a building on a television in the city. The image changes to windsurfing. The shot moves into the crowd with the sound of someone singing. This all slows down, then stops and goes to a room inside with the view of a clock ticking, a picture on the wall and flowers. You hear people talking, someone sneezes and then the picture disappear and the shot fades.

A man makes an unexpected appearance at his younger brother's house in the middle of the night. He needs somewhere to stay and convinces his brother and his wife that he is trouble. Or is he?

An investigation into an old papyrus discovered in a storeroom of the Louvre museum has revealed that it was a very ancient Greek score. But how can we know who composed it? How do we interpret this music? And where do we find the ancient instruments to play it?

The sequel to Ancient Prophecies I & II which also looks at a variety of prophecies and interpretations of prophecies ancient and modern. Hear how astrology is used by business's and leaders of nations throughout time. Learn about the future scientific discoveries such as cloning, gene hackers, drug resistant viruses and artificial intelligence. Find out about the prophecies hidden in the psalms that have been decoded.

The sequel to Ancient Prophecies I & II which also looks at a variety of prophecies and interpretations of prophecies ancient and modern. Hear how astrology is used by business's and leaders of nations throughout time. Learn about the future scientific discoveries such as cloning, gene hackers, drug resistant viruses and artificial intelligence. Find out about the prophecies hidden in the psalms that have been decoded.

A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?